fernando s. torres quit painting and started experimenting with tape music and other no-fi audio manipulations in the early 80's

In 1985, as annexus can, was one of the few people involved on the birth of the now semi-legendary (though virtually unknown) Can do Garfo (CDG),

a dada-n-drugs-inspired irrational improvisation isolationist collective, probably the first, and possibly still the only of its kind in brazil.

paralell to his work with CDG,  fst continued his researches and recordings in a more studio oriented, artificially controlled envirment.

mid-90's formed and leaded Porno-Punk, a (real)sex and (real)violence street-punk live band, which survived for a few months.

2001 starts KKFS, a plunder-pop minimal digital persona involving one software, old lp's samples and gear malfunction.

joins Mmendes on Fronha Records in 2003, producing and  releasing many albums and collaborating on a number of 

projects such as  Junkers,  As Criança Feia,  Sindome,  Still Being Improvisation,  Fronha Coletiva,  etc,  etc.

In 2004 begins collaborating with Liz, and, associated with Plano B  record shop, produces the Plano B

Live Sessions, which becomes the only regular venue for expermental music in Rio de Janeiro.

By the end of the year quits Fronha to start his own label-project, Menthe de Chat